Saturday, 20 June 2009

the notated abstract.

"If the primary stuff of music is sound, which I believe, then notation, no matter how ordinary or idiosyncratic, is no more than a representation of the real thing.

Furthermore a description of notation such as this is a symbolic representation of a symbolic representation - twice removed from reality."


Lejaren A. Hiller, Jnr

[sourced from John Cage's Notations (link to PDF of book)]

Wednesday, 10 June 2009

Fractal Links + others

FractalAbyss

P:0 / site

Genr8

LandonGray - fractal plugin

L-System Plugin


Voronoi Diagrams:

These kinda act like waves interacting with slightly submerged objects.
Mathematica

Voronoi Algorithms


Architecture Students:

Southern California Institute of Architecture

Saturday, 6 June 2009

Notation as a Tool of Thought - Kenneth E. Iversion

Notation as a Tool of Thought - pdf

This guy won an award for this lecture.

Tuesday, 2 June 2009

Ready to Go!

OK. I think I am finally ready to begin experimenting from the research. I have narrowed the focus down to a few select areas, and shall start modeling and coding tomorrow.

Wish me luck! :)

Monday, 1 June 2009

The Architecture of Nature - ebooks

Here are some of the books on mathematics in nature and architecture that I am looking into. Have been playing around with mel scripts from the first book.

Algorithmic Architecture - Kostas Terzidis - pdf - Brilliant book. Includes mel scripts.

The Algorithmic Beauty of Plants - P. Prucinkiewicz, A. Lindenmayer
- pdf - From the guy who coined the term 'L-systems' [Linenmayer-systems] comes a book that decodes the creation of plants using mathematical algorithms.

On Growth and Form - D'Arcy Wentworth Thompson - pdf - Huge book that analyzes how organic forms are created in nature. Now in the public domain.

Enjoy.

Sunday, 31 May 2009

Contemporary Dance Video Database

Contemporary Dance Video Database

Saturday, 30 May 2009

Field - a development environment for making digital art

- Created by "The OpenEnded Group" -

Description taken from the site:
[link]

Field is a software project initiated by OpenEnded Group, for the creation of their digital artworks. It is an environment for writing code to rapidly and experimentally assemble and explore algorithmic systems. It is visual, it is hybrid, it is code-based. We think that it has something to offer a diverse range of programmers and artists.


Further description:
[link]

Field is a development environment for experimental code and digital art in the broadest of possible senses. While there are a great many development environments and digital art tools out there today, this one has been constructed with two key principles in mind:

Embrace and extend — rather than make a personal, private and pristine code utopia, Field tries to bridge to as many libraries, programming languages, and ways of doing things as possible. The world doesn't necessarily need another programming language or serial port library, nor do we have to pick and choose between data-flow systems, graphical user interfaces or purely textual programming — we can have it all in the right environment and we can both leverage the work of others and take control of our own tools and methods.

Live code makes anything possible — Field tries to replace as many "features" with editable code as it can. Its programming language of choice is Python — a world class, highly respected and incredibly flexible language. As such, Field is intensely customizable, with the glue between interface objects and data modifiable inside Field itself. Field takes seriously the idea that its user — you — are a programmer / artist doing serious work and that you should be able to reconfigure your tools to suit your domain and style as closely as possible.


I'm going to look into the software... see if it would be useful for my project[s].